Lighting and visuals rental company HSL supplied lighting kit — over 300 fixtures – and crew to the UK arena leg of big beat hard-dance electro rockers Prodigy’s “The Day is My Enemy” tour, working in close collaboration with lighting and show designer Andy Hurst, and also with live video specialists Video Illusions who supplied cameras and LED screens.
As you would expect, the Prodigy visual experience was large physically, metaphorically and in every other way! A manic, industrial-strength maelstrom of colour, movement and energy raging full tilt encompassing classics like “Firestarter” and “Smack My Bitch Up” and material from the new album … all at hurricane force – producing more of the truly fully-immersive stand-out live shows for which they are globally known and loved!
The set and visuals have maintained some base common elements as they have evolved throughout the tour which started in Australia in February 2015 shortly before the album dropped, and continued with festivals and headliner shows worldwide, culminating in this sold-out blisteringly loud-tastic UK arena spree … to the delight of their eclectic fan base.
Andy wanted a bit of an abstract and urban look to the stage, one that was open tointerpretation in a number of different ways. “I didn’t want something that was too literal andcertainly not too predictable,” he explained, “and I needed to follow the raw, edgy feel and vibe of the music”.
They were complimented by a massive 10 metre diameter trussing circle, made up from a number of interconnecting components and several custom pieces, which was inspired by some huge metal radio transmission antenna structures that Andy had encountered in Latin America.
The impressive list of luminaires included 64 x Philips Snowline E-Strip 10 LED battens used to outline the structural pieces, 54 x Ayrton Magic Blades which were located on the 7towers and flown rig„ 47 x Robe Pointe multi-purpose moving lights dotted all over the circleand the towers, 46 x Philips Showline Beam 30 FX moving lights, 54 x Martin Atomicstrobes, 23 x 2-cell and 16 4-cell Moles, 18 Robe LEDBeam 100s, 14 Martin MAC Aura XBs, 16 x Robe CycFX 8s, 6 x MAC III Profiles, 6 x Vari*Lite VL4000 WashBeams … and last but not least, 20 x Robe PATT 2013s.
Fixtures were also hung on a front truss and two side trusses.
Andy operated the show on his own trusty Hog Full Boar 4 system, with 24 x DMX universes running over fibre via two of the new DP8000 FOH racks and a Luminex 16XT switcher.
Andy also triggered and routed the IMAG video fed via a Catalyst media server into theconsole and out to the two 10mm LED side screens. These had to be LED to stand achance of showing up juxtaposed against the intensity of the lumen levels coming from thelighting … rather than the other way around! Projection would have been lost!
The band action was captured by three Sony XC-100 broadcast cameras and three bulletcams dotted around the stage – all from Video Illusions – with a mix cut by Bas Logan, the band’s videographer, using a Panasonic AVH4100 mixer.
Andy’s been working with Prodigy for 8 years and they are still keeping him on his toes. “They don’t like using video in any traditional way, shape or form in the show so the challenge is coming up with an inventive solution that they will like. Related to this, the pressure is on for lighting as part of the visual equation!”
The result is a truly unique show and performance that continues to enthrall audiences everywhere.
Joining Andy on the road for the UK arenas was an HSL A-team crew of Ray Whelan (crew chief), Matt Brown (dimmers), Johnny Harper and Jake Jevons, and co-ordinating everything from the office was HSL Project Manager Jordan Hanson.
Date of issue : 4th January 2016.
For more press info on the HSL Group, please contact Louise Stickland on +44 (0)1865 202679/+44 (0)7831 329888 or Email firstname.lastname@example.org.
Contact HSL direct on +44 (0)1254 698808, ‘email@example.com’ or checkwww.hslgroup.com.
Photos by Louise Stickland
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